Edi­to­r­i­al Intro­duc­tion | Brent Bellamy

Intro­duc­tion to Crit­i­cal and Cre­ative Engage­ments with Petro-Media | Emi­ly Roehl, Rachel Webb Jekanowski

Oil-Spon­sored Exhi­bi­tions and Canada’s Extrac­tive Pol­i­tics of Cul­tur­al Pro­duc­tion | Camille-Mary Sharp

Oil Topog­ra­phy: Weav­ing the World of Oil | Tomas Bor­sa, Ruth Beer

Excerpts of The Tome of Light | Elia Vargas

Found­ing Fathers (in a Tail­ings Pond) | Melanie Den­nis Unrau

Exca­vat­ing CBC’s Docu­d­ra­ma The Tar Sands | Patrick McCurdy

Iso­topic Poet­ics: The Petro­cul­tur­al Appro­pri­a­tions of Les­ley Battler’s Endan­gered Hydro­car­bons | Max Karpinski

Maker's Statement:
“Crude Futures” / “After the Ampli­fy Ener­gy Oil Spill”
| Kristin George Bagdanov

Petro-land­scapes and Polit­i­cal Imag­i­na­tion: Inter­view with Steve Row­ell | Emi­ly Roehl, Steve Rowell


13.1 Full Issue PDF | Issue doi: dx​.doi​.org/​1​0​.​1​7​7​4​2​/​I​M​A​G​E​.​P​M​.​1​3.1

Guest Edi­tors: Emi­ly Roehl, Rachel Webb Jekanowski

Edi­tor-in-Chief: Markus Reisenleitner
Man­ag­ing Edi­tor: Brent Ryan Bellamy
Eng­lish Sub­stan­tive and Copy Edi­tor: Lee Campbell
French Trans­la­tor and Edi­tor: Gwla­dys Bertin, Dominique Laurent
Web & PDF Lay­out and Design: Markus Reisenleitner

Image Cred­it: Ruth Beer